I want to thank ALL OF YOU for the tremendous support this year! I am proud that my artwork has helped raise donations...
Posted by James Billiter Studio on Friday, December 25, 2015
Friday, December 25, 2015
The Gift of Giving!
Saturday, December 19, 2015
One answer on how to charge your clients
Question from a young designer
I just got a freelance opportunity to do some book publications for a local business and wanted to see if I could get some insight on how to charge them appropriately. I'm not sure if I should charge then hourly or a flat rate. If you have any suggestions that would be great!
My response
There are a lot of different thoughts about this. For instance, long term you could set up price levels for different sizes of clients: like $10 for desperate pro-bonos, $20 for non-profits and small businesses, $40 for freelance clients and $80 for design agency freelance (typically they would turn around and re-bill your work fro $100-$150 to their clients).
But most of the time I come up with an estimate number and share that with my client. I arrive at that number by guessing the amount of hours it might take and multiplay that by the appropriate hourly rate:
8 hours of work X $10/hr = $80
Thinking in the clients shoes I would raise to $100 per edition if they have plenty of money.
And my word of caution with publications: sometimes there are rounds of copy revisions so I would build that into your initial estimate. With that in mind, you could charge them hourly for the first and second editions, then based upon the amount of time spent and your hourly rate, arrive at a flat fee for all future editions. Your first edition may take longest due to setting up a new template — therefore keep track of time per task and phase of work to accurately capture your labor.
All these rates are purely subjective and you can create your own based upon your perceived worth. Lastly, I've heard a theory that you should come up with a price for your design and if you lose more than 50% of the client requests who come to you then reevaluate your prices lower until hit a sweet spot of staying busy within your market.
My response
There are a lot of different thoughts about this. For instance, long term you could set up price levels for different sizes of clients: like $10 for desperate pro-bonos, $20 for non-profits and small businesses, $40 for freelance clients and $80 for design agency freelance (typically they would turn around and re-bill your work fro $100-$150 to their clients).
But most of the time I come up with an estimate number and share that with my client. I arrive at that number by guessing the amount of hours it might take and multiplay that by the appropriate hourly rate:
8 hours of work X $10/hr = $80
Thinking in the clients shoes I would raise to $100 per edition if they have plenty of money.
And my word of caution with publications: sometimes there are rounds of copy revisions so I would build that into your initial estimate. With that in mind, you could charge them hourly for the first and second editions, then based upon the amount of time spent and your hourly rate, arrive at a flat fee for all future editions. Your first edition may take longest due to setting up a new template — therefore keep track of time per task and phase of work to accurately capture your labor.
All these rates are purely subjective and you can create your own based upon your perceived worth. Lastly, I've heard a theory that you should come up with a price for your design and if you lose more than 50% of the client requests who come to you then reevaluate your prices lower until hit a sweet spot of staying busy within your market.
Monday, August 24, 2015
Home relief printing
Finding some tips for printing at home!
http://www.stencilrevolution.com/tutorials/how-to-make-relief-prints/
http://weareoca.com/fine_art/relief-printing-at-home-hints-and-tips/
Tuesday, July 14, 2015
The Cincinnati Recreation Commission worked with the Cincinnati Reds to create neighborhood activities during the 2015 All Star Game weekend. I've been working with the Madisonville Community Urban Redevelopment Corporation on public art projects — we thought this would be a great opportunity to create a neighbor-made mural showing off our neighborhood pride!
Madisonville Bramble Park Mural Process Video from James Billiter Studio on Vimeo.
Wednesday, June 10, 2015
CincyInk: Minimural process video
I wanted to share a behind-the-scenes process of how I created my illustration for the Cincy Ink project. I illustrated the final stanza of the poem: "Sing the Queen City, Say Home, Coast the long cut, Cross that Bridge."
Sing the Queen City, Say Home: Mini Mural process video for CincyInk from James Billiter Studio on Vimeo.
Thursday, January 01, 2015
A look back at 2014 — what an incredible year!
I am so proud of the creative output from last year — the true reward for creative work is more creative work. It was nice to see personal projects and sharing my vision lead to more opportunities. Now if I could only find more hours in a day!
James Billiter Studio: 2014, a year of creative output from James Billiter Studio on Vimeo.
Subscribe to:
Posts (Atom)